“Thou shalt commit adultery.”
How Many Errorrs Are in This Essay?
Literature’s history is a history of mistakes, errors, misapprehensions, simple typos. It’s the shadow narrative of expression—how we fail because of sloppiness, or ignorance, or simple tiredness. Blessed are the copyeditors, for theirs is a war of eternal attrition. Nothing done by humans is untouched by such fallenness, for to err is the universal lot of all of us. Authors make mistakes, as do editors, publishers, printers (and readers).
What Tech Workers Don't Understand They've Lost by WFH.
As an employee, I was initially excited by the benefits of working from home, but slowly realised that complete remote working was an alienating experience that has diminished the boundaries between work and leisure.
What’s a girl to do?
Is the world (finally) ready for the wit and wisdom of new-wave icon Cristina?
Relevant: Jean-Paul Goude.
The Tantalizing Failures of Irma Vep.
But without Cheung, Irma Vep loses its crucial and revealing portrayal of othering — and how what we desire onscreen is as politicized as anything else. Moreover, it misses out on the opportunity to comment on how overwhelming a force China is in the film world today, enough so that Hollywood productions might cleanly nix LGBTQ+ characters or moments from run times in order to release in the territory.
Der erfundene Winnetou-Shitstorm: Chronologie eines Medienversagens (Datenanalyse).
(…) diesen Shitstorm über das Buch oder den Film gab es nie, ebenso wenig wie Forderungen nach Verboten. Beide sind vielmehr eine Erfindung findiger Journalisten und Populisten, die entweder medieninkompetent sind oder aus politischem Interesse bzw. aus wirtschaftlichem Kalkül hetzen.
Kraus, Polgar oder doch Farkas?
Falschzitate mit Belegen und Kommentaren. Hunderte falsche Zitate, Memes, Kuckuckszitate, Zitaträtsel, apokryphe, problematische und entstellte Zitate, misquotations, misattributed and fake quotes.
Monkey Performance from the movie “The Square”.
Relevant: Künstlerin Lola Arias geht gegen die Satire »The Square« vor.
A Case Study in Not Being A Jerk in Open Source.
Thanks, F.
Denthesizer (that’s what I’d call it).
Anne Heche’s Off-Screen Infamy Never Outshined Her On-Screen Magnetism.
She’s an absolute force of nature, but she was no match for the prejudices of our culture who saw in all of her strengths, weaknesses. She was a fierce survivor who refused to be grateful for the things she had earned; she was a mesmerizing performer who was the perfect choice to play Janet Leigh’s Marion Crane in Gus Van Sant’s Psycho reboot. She was the antidote to Julia Roberts’ emetic likeability and Sandra Bullocks’ everywoman approachability — she didn’t give a particular shit if you liked her or not, so when the culture got the chance to take her down, it took her down hard.
