Stunning visual interactive explanations of assumed simple as well as obviously complex matters.
Or: Where Amp I?
Based on the contents of the page, I think I’m on The New York Times’ site. However, based on the domain visible in the address bar, I think I’m on google.com.
The Definitive Guide to the World’s Hidden Blunders.
See what no human eyes have seen before, deep in the sea off Western Australia.
Accompanied by words of insight and wonder from the expedition’s scientists, this video offers both a rare look at bioluminescent deep-sea life and a glimpse into how the human impulse for exploration helps to drive scientific discovery.
What if we took the lessons of the semantic web and applied them to source code?
Worrying about the NPM ecosystem.
I downloaded the metadata for all 1.3 million packages in the npmjs.org repository and attempted to crunch some numbers. (…) Of those 1.3 million packages, 1,700 depend directly on themselves, either perfectly circularly, or a different version of the same package. I have no explanation for that.
»Ich habe sexuelle Belästigung erlebt und Anzeige erstattet, aber nach einem Jahr wurde das Verfahren eingestellt. Ich wollte wissen, warum.«
Nach meiner Erfahrung ist es deshalb bei Sexualdelikten immer ratsam, nicht zur normalen Polizeidienststelle zu gehen, sondern zum Kriminaldauerdienst. Da sitzen rund um die Uhr geschulte Mitarbeiter.
Are we ready to revisit some of the ideas of the early web again? There are trends that suggest we might just have come full circle – and I like it.
Relevant: Dark Ages of the Web.
Concerning Hackers Who Break into Computer Systems.
The issue is not simply hackers vs. system managers or law enforcers; it is a much larger question about values and practices in an information society.
The travails of Vienna’s modern artists reveal something important about the city’s cultural climate: not only the leftover petit-bourgeois Biedermeier aesthetic sensibilities of the mid-19th century, but also the ceaseless pitting of the creative individual against highly conservative institutions and institutional attitudes. Klimt was censured by the scandalised officials of the University of Vienna after being commissioned to paint three large murals for the faculties of medicine, philosophy and law, and took the paintings back. Schiele was arrested and imprisoned for painting nude portraits of young girls. Kokoschka, branded a ‘public terror’, was expelled from the Kunstgewerbeschule (Vienna’s School of Arts and Crafts) for his iconoclastic views.