one.
a film should be like a l'il stone in your shoe.
rockin' the free glamorous world.
thanks to frollein l. i was given the opportunity to join the scissor sister showcase at palais ferstel with the g'spritztn lot and the bunch of usual suspects.
here's the proof:
and it was filthy and gorgeous. and they made me don't feel like dancin'. in fact, they made me dance.
next blogger in beta and a dynamic fashion.
btw. recently, i took a closer look at wordpress and movabletype – and was a little bit surprised by the lack of comfort or ease of use.
it's true they both provide what i'd call the latest features. but obviously, nobody thought a lot about improving the very task of publishing at its basics.
(in this regard i still think antville was and is way ahead of the time.)
as blogger now exercises what still can be done in this field they hopefully raise the bar of further streamlining the publishing process.
while the book-printing dinosaurs gather in old castles the fresh and young typographic innovators celebrate the london design festival 2006 "my london my city" – just to be sure to take it on a trip around the world afterwards. (via telfser.com.)
looking for freda sack's work i easily came across myfonts which probably is the myspace for typographers... not!
but what the font?! there you can upload your font images if you need some help determining the nomenklatura of these very letters.
you are in a train in germany. now the train is sinking. you will drown.
on the count of 10 you will be dead.
das transparenteste casting der welt von österreich.
barking like donald, writing like barks.
erfrischend ehrlich naiv.
Gustav Götz: "Mit dem Song 'Buttons' sind die Pussycat Dolls in Kooperation mit Snoop Dogg in der dritten Wertungswoche gleich auf Platz eins vorgerutscht, für uns ein klein wenig überraschend, denn 'Buttons' ist außerhalb der Ö3 Austria Top 40 noch nicht auf Ö3 gelaufen und war auch sonst nicht im Radio zu hören."
was fehlt, ist die erklärung. ich kann sie mir denken.
is thomas glavinic's new novel more or less an austrian cover version (or: remix, in tongues of popular culture) of rosendorfer's "großes solo für anton"? (just not that funny?)