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What Do We Do with the Art of Monstrous Men?

Who is this “we” that’s always turning up in critical writing anyway? We is an escape hatch. We is cheap. We is a way of simultaneously sloughing off personal responsibility and taking on the mantle of easy authority. It’s the voice of the middle-brow male critic, the one who truly believes he knows how everyone else should think. We is corrupt. We is make-believe. The real question is this: can I love the art but hate the artist? Can you? When I say we, I mean I. I mean you.

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